The Japanese scientist Sekai [=the world], seeking a bright future for mankind, invents a motor that burns water. His wife Hikari [=the light], dies when giving birth to their son Aun [the beginning and the end of all things]. As a toddler Aun discovers an unusual sea snail at the beach. Sekai uses it for experiments involving his own body, which ultimately kills him. Twenty years later Euclides [=number theorist], a deaf scientist from Brazil’s capitol – the modernist Brasília – carries on Sekai’s experiments. He believes the sea snail to be the missing link to a livable future and therefore asks his wife Nympha [=pupal stage of butterfly] to find Aun. She takes on an ancient Japanese card game with the Japanese yakuza as she discovers that Aun used to gamble in Tokyo. Fairies from the woods send her an elf messenger who leads her to Aun – now serving as a priest in a Shinto shrine. Infatuation takes a hold of them. Nympha enters the world Sekai had envisioned. Euclides, by now in trouble with the sponsors of his project gets his wife to lead him to Aun’s shrine. As they arrive Aun – aged dramatically – hands the sea snail to Euclides. Delighted the latter carries out experiments while his wife tries to find a way back to the world she’d been able to experience. Euclides rejoices as he believes to having succeeded in creating ‘the future’. The fairies put a spell on him. Euclides dies. With his last breath he exhales a substance that makes the world vanish from the universe.‘AUN – the beginning and the end of all things’ tells the story of mankind’s quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the 21st century has taken over the entire world and has succeeded in maneuvering the globe into a situation that can’t be solved by means of economics and science anymore. Enlightenment’s merits have taken the West’s ability to sense what is not to be seen, what is only to be felt. Believes are so much more than religion, than monotheistic concepts. Souls and spirits exist not only in film. Denial and neglect of eternal laws lead to extinction – of the individual and the entire human race. AUN invents rituals as well as mythologies and worships the creator of it all – nature – by playfully laying out its dichotomy with human culture. The film equals mankind’s beauty with nature by announcing that ‘everything mankind creates in nature’. Sadly the hubris ends and gives the audience the chance to heartily weep for the world.
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其实宫讲了这样一个故事,一个十分复杂的故事每一个被男人倒追的女人总会碰到另一个被男人倒追的女人出来言传身教自己的悲惨经历然后这个被男人倒追碰到另一个被男人倒追的女人出来言传身教自己的悲惨经历的女人就会若有所思然后爱上那个倒追自己的男人、可是这个被男人倒追的女人还有一个有女人深爱的男人追这个被男人倒追到另一个被男人倒追的女人出来言传身教自己的悲惨经历的女人就会若有所思然后爱上那个倒追自己的男人的女人而这个被男人倒追的女人还有一个有女人深爱的男人追这个被男人倒追到另一个被男人倒追的女人出来言传身教自己的悲惨经历的女人就会若有所思然后爱上那个倒追自己的男人的女人却不爱这个有女人深爱他却到追着这个被另一个男人深爱的女人的男人于是这个被男人倒追的女人还有一个有女人深爱的男人追这个被男人倒追到另一个被男人倒追的女人出来言传身教自己的悲惨经历的女人就会若有所思然后爱上那个倒追自己的男人的女人却不爱这个有女人深爱他却到追着这个被另一个男人深爱的女人的男人女人开始在这个倒追着她的男人和这
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刚看完时我觉得我没有看懂,看了影评之后更觉得没有看透,后来我想,兄弟俩没变,从一而终,哥哥依然是那个勇敢、坚强、理智的哥哥,没有变懦弱,弟弟依然是那个脆弱、善良、多愁的弟弟,也没有突然成熟,只不过形势变了,他们只不过根据形势做出自己的选择。 先说哥哥,有人说哥哥成为逃犯是他崩溃之后的表现。但我认为这只是他认清现实后自然而然的举动。 他自始至终更多的是为了担负责任二战(保护弟弟、遵守对母亲的承诺、保护自己的那一连、保护国家的人民),但我并没有感到他觉得一个军人就该视死如归、战死沙场。 而当时的情况是,他认识到战争给更多人带来的是伤害,为了毫无意义的目标,杀害很多无辜百姓自己的士兵,弟弟也失踪甚至死了。他的责任消失了,而且他恍然大悟那个责任是没有意义的。所以他放弃,不是逃避,是放弃。 他在湖畔小木屋的场景如此静美。他安静的坐在木屋上,眼神深邃如旧,冷静如旧,虽然有迷茫与怀疑,但并没有“崩溃”“脆弱”者的胆怯。 再看他被抓走之后的行为,坚强的活下去,理智的判断不能用火烧屋,麻利地
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这部电影通过展现樊锦诗的人生经历,展现了一个普通人在大漠深处为保护文化遗产所付出的艰辛努力。同时,该片还通过对敦煌研究院历史的回顾,让我们更好地了解敦煌文化的传承和保护。
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电影该剧以林楚楚的故事为主线,展现了她在初恋男友背叛后的苦闷和失落。影片通过楚楚的感情纠葛,向观众展现了爱情的美好与坚韧,同时也传递出了勇敢去爱、不留遗憾的人生态度。