Having been forced to bear witness to a fare from idyllic reality CLAUDIA takes refuge in fairytale...But when her brutish father falls to his death, she and her brother CLYDE go in search for an altogether safer refuge: Their Mother. Starved tired and afraid, the children travel through an eerie forest until they come to a large manor house. From within they are met by a wonderful old woman GRAZELDA who showers them with food, good will and magical toys. The children are seduced into thinking that they have found their sanctuary. Yet, over time, the old woman becomes more and more dictatorial. As Claudia attempts to unravel the mystery of the manor. Clyde is taken hostage and Grazelda's cannibalistic intentions are laid bare. With the help of fellow prisoner and toymaker, DUNWICH, Claudia frees her brother and releases the souls of countless children locked within the enchanted mansion by slaying the wicked Grazelda. However, when Claudia is spirited back to reality, she comes to realise the truth: that it was her own mind that had fashioned this, the greatest fairytale of them all.

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在这部影片中，吴洁面对一个冷酷无情的连环杀手，她用自己的正义感，一步步追踪凶手。然而，在这个过程中，她也渐渐发现了受害者和凶手之间更深的情感纠葛，这让人不寒而栗。

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春节档看了三部电影，影响比较深的是这部第二十条和热辣滚烫，热辣偏向个人的成长和觉醒，第二十条更多的是社会群体意识的觉醒，当然群体意识的觉醒也是通过一个个独立个体的转变和成长实现的。第二十条对我的触动更大一些。从演员的整体表演上，这部电影中演员表演都很到位，没有哪个角色让人有出戏感，特别是主要的演员，虽然雷佳音和马丽容易被符号化，但是在这部电影中，雷佳音和马丽的喜剧感在日常拌嘴吵架戏中表达的到位又不过火，听他们吵架就是普通夫妻的日常拌嘴。高叶的角色一开始代入有点困难，但是

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难得有机会看了这部电影，很久没有看过动画电影、D电影了，总体感觉还是很不错的，值得一看，儿童动画电影个字，分开讲一讲：重点放在“儿童”二字上，动画风格契合小朋友们，十年时光陪着小朋友们一起成长。重点放在“动画”二字上，也许是很久没有看过动画电影了，个人觉得影片制作（ps：是不是太久没看D电影了，羽毛落在眼前的那一刻觉得特效制作很良心了）、打斗特效还是值得看的。重点放在“电影”二字上，从小朋友的视角，影片人物塑造非常熟悉，尤其是里面出现了之前系列的角色（个人未看过之前的系列）

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不怎么宁浩的刘德华？印象中宁浩的片子虽然主打黑色幽默，但也能让人逗乐大笑，好比年的《疯狂外星人》，或许因为演员、或许因为桥段而开怀笑过，但这次的《红毯先生》，喜剧效果感觉一般，当年的喜剧大师，似乎与观众产生隔阂，只想拍自己认为的东西。赶在撤档之前看了这部黑色喜剧，只能说口味并不是很大众，多是圈内的行业现象夸张化。如果不是从业人员或许感触不深，但换个容易理解的形容，大体剧情就是甲方让乙方改东西，所引发的一系列啼笑皆非。至于从开始到结束时的变化，就是一个固执己见的影