A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.

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期待很久了，但一直阴差阳错没看成，终于在一个晚上去amc看掉了。本以为是全法语，结果看了trailer发现是法国人说英语，为了表示对这一部电影的尊重和认真严肃，进场时专门要了一个字幕器，后来看的时候发现没啥必要，大段大段的法语屏幕有字幕。。影片本身的话，我不知道为什么两个多小时时间里看的很累很累，尤其庭审时候的你来我往针锋相对，我脑子真的够呛跟上，很多犯罪学的分析什么的蛮难听懂的，说得还巨快。累的我一瓶水都喝完了。这片子的vibe是真的蛮奇妙的，很难消化，蛮沉重的。然后我个人其实当然对

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动物园是一个充满奇妙的的地方，它可以是一个让人放松心情、享受生活的地方，也可以是一个充满挑战和惊奇的地方。这部影片通过讲述主人公接手动物园后，如何带领员工们完成一项营业计划，让观众们感受到了一个充满奇迹的世界。

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开场倒是炫酷，但是男主自己出风头，黑帮葬礼上的那些黑帮小弟都没武器啊？就他一个人开挂。（越是主角所向披靡，越显得剧情弱；配角越强越能衬出主角强，假如这个时候有很多人啪啦啪啦开枪，而主角惊险的逃走了，不是更好看更刺激更符合逻辑吗？）男主的演技还可以，开场女医生演技有点……不知道怎么形容，有点僵硬和故作深沉感。（其实整部电影的风格都有点故作深沉）男主得知自己得癌症之后，去自首，却看到那个排行榜（其实我也不明白为什么罪犯还有排行榜啊）决定杀掉前两个。我总

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通过对徐曼芳的故事展开描述，我们看到了人类在生命的无常和必然中所经历的种种挑战。在这个过程中，我们应该如何应对生命的起伏，如何勇敢地面对死亡，以及如何更好地珍视生命中的美好时光。